Filtering by: 007_MAY/JUN_2017

103_2002 (2015) By: C. Spencer Yeh
Jun
17
5:00 PM17:00

103_2002 (2015) By: C. Spencer Yeh

Saturday, June 17th, 2017
Doors at 4:30 PM... Screening at 5:00 PM
@ The Mini - 1329 Main St.

2002 (2015) By: C. Spencer Yeh

Co-Presented with the No Response Festival

2002

Dir. C. Spencer Yeh, 2015.

USA, 53 min.

2002 is a "concert film" that collects together footage of approximately forty bands videotaped by artist C. Spencer Yeh during the year 2002, including Deerhoof, Animal Collective, Sightings, Sudden Infant, Cock ESP, Double Leopards, Caroliner Rainbow, Comets on Fire, and more. Acting as a survey, tribute, and foreshadowing of the contemporary American musical underground, 2002 captures not only the artists, but the audiences, spaces, and networks that remain incredibly formative and influential over a decade later.

A handful of the segments were originally posted to Yeh’s personal website, before the coming of YouTube and other media-sharing outlets. The average duration of the edits were kept short due to the storage and bandwidth considerations of that time – a strategy carried over in revisiting the footage years later. In a style similar to Yeh's Hair Police: 01-02, the accustomed musical documentary talking heads, voiceover meditations, and evocative b-roll were eschewed in favor of a more observational "vérité" approach. A loose narrative was already found in the sequencing of these short glimpses during the span of a year – audience members one moment are then found to be the artists on stage in the next. Some venues iconic in their moment are now long gone, while others were revived in recent times, activating a new history.

Special thanks to Electronic Arts Intermix.

C. Spencer Yeh is recognized for his interdisciplinary activities and collaborations as an artist, improviser, and composer, as well his music project Burning Star Core. Recent presentations of work include "Modern Mondays" at MoMA NYC, "Sound Horizon" at the Walker Art Center Minneapolis MN, "Closer to the Edge" in Singapore and "Crossing Over" in Kuala Lumpur Malaysia, "Martha Friedman: Some Hags" at the NYU IFA Great Hall NYC, "Ed Atkins: Performance Capture" at the Kitchen NYC, "The Companion" at the Liverpool Biennial, “99 Objects” at the Whitney Museum NYC, the Berwick Film and Media Arts Festival, "Tony Conrad Tribute" at Atelier Nord/Ultima Festival in Oslo Norway, "Great Tricks From Your Future" at D-CAF in Cairo Egypt, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, the Lausanne Underground Film and Music Festival, Music Unlimited in Wels Austria, and LAMPO at the Renaissance Society in Chicago IL. Yeh also collaborated with Triple Canopy for their contribution to the Whitney Biennial in 2014.  He was a 2015 Artist-in-Residence at ISSUE Project Room NYC, and was included in the performance program for Greater New York at MoMA/PS1.

Recent recordings include "Solo Voice I-X" (Primary Information), "Wake Up Awesome," with Okkyung Lee and Lasse Marhaug (Software Recording Company), “Long Pig” by New Monuments, his trio with Ben Hall and Don Dietrich (Bocian), and "Schlager" with Ken Vandermark.

Yeh also volunteers as a programmer and trailer editor for Spectacle Theater, a microcinema in Brooklyn NY. His video works are distributed by Electronic Arts Intermix. He is also a contributing editor to Triple Canopy and BOMB magazine, as well as contributing to The Third Rail and Personal Best.

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102_FRINGE FESTIVAL - Two Truths (Performance #5)
Jun
10
7:15 PM19:15

102_FRINGE FESTIVAL - Two Truths (Performance #5)

Saturday, June 10th, 2017
7:45 PM
@ The Mini - 1329 Main St.

 

** SPECIAL PRESENTATION **

In partnership with Chase Public and The Carnegie, The Mini Microcinema presents

Two Truths: Notes on The Cinematographer

with work by 15 writers and 15 filmmakers

a Special Event of the 2017 Cincinnati Fringe Festival, a Know Theatre production

Show Dates:

Thursday, June 1st - 7:45 PM Saturday,

June 3rd - 7:45 PM Sunday,

June 4th - 4:45 PM Wednesday,

June 7th - 7:45 PM Saturday,

June 10th - 7:45 PM

 

All performances at The Mini Microcinema

This is a ticketed event.

Ticket Information: cincyfringe.com 513-300-5669

 

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101_FRINGE FESTIVAL - Two Truths (Performance #4)
Jun
7
7:15 PM19:15

101_FRINGE FESTIVAL - Two Truths (Performance #4)

Wednesday, June 7th, 2017
7:45 PM
@ The Mini - 1329 Main St.

 

** SPECIAL PRESENTATION **

In partnership with Chase Public and The Carnegie, The Mini Microcinema presents

Two Truths: Notes on The Cinematographer

with work by 15 writers and 15 filmmakers

a Special Event of the 2017 Cincinnati Fringe Festival, a Know Theatre production

Show Dates:

Thursday, June 1st - 7:45 PM Saturday,

June 3rd - 7:45 PM Sunday,

June 4th - 4:45 PM Wednesday,

June 7th - 7:45 PM Saturday,

June 10th - 7:45 PM

 

All performances at The Mini Microcinema

This is a ticketed event.

Ticket Information: cincyfringe.com 513-300-5669

 

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100_FRINGE FESTIVAL - Two Truths (Performance #3)
Jun
4
4:15 PM16:15

100_FRINGE FESTIVAL - Two Truths (Performance #3)

Sunday, June 4th, 2017
4:45 PM
@ The Mini - 1329 Main St.

 

** SPECIAL PRESENTATION **

In partnership with Chase Public and The Carnegie, The Mini Microcinema presents

Two Truths: Notes on The Cinematographer

with work by 15 writers and 15 filmmakers

a Special Event of the 2017 Cincinnati Fringe Festival, a Know Theatre production

Show Dates:

Thursday, June 1st - 7:45 PM Saturday,

June 3rd - 7:45 PM Sunday,

June 4th - 4:45 PM Wednesday,

June 7th - 7:45 PM Saturday,

June 10th - 7:45 PM

 

All performances at The Mini Microcinema

This is a ticketed event.

Ticket Information: cincyfringe.com 513-300-5669

 

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099_FRINGE FESTIVAL - Two Truths (Performance #2)
Jun
3
7:15 PM19:15

099_FRINGE FESTIVAL - Two Truths (Performance #2)

Saturday, June 3rd, 2017
7:45 PM
@ The Mini - 1329 Main St.

 

** SPECIAL PRESENTATION **

In partnership with Chase Public and The Carnegie, The Mini Microcinema presents

Two Truths: Notes on The Cinematographer

with work by 15 writers and 15 filmmakers

a Special Event of the 2017 Cincinnati Fringe Festival, a Know Theatre production

Show Dates:

Thursday, June 1st - 7:45 PM Saturday,

June 3rd - 7:45 PM Sunday,

June 4th - 4:45 PM Wednesday,

June 7th - 7:45 PM Saturday,

June 10th - 7:45 PM

 

All performances at The Mini Microcinema

This is a ticketed event.

Ticket Information: cincyfringe.com 513-300-5669

 

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098_FRINGE FESTIVAL - Two Truths (Performance #1)
Jun
1
7:15 PM19:15

098_FRINGE FESTIVAL - Two Truths (Performance #1)

Thursday, June 1st, 2017
7:45 PM
@ The Mini - 1329 Main St.

 

** SPECIAL PRESENTATION **

In partnership with Chase Public and The Carnegie, The Mini Microcinema presents

Two Truths: Notes on The Cinematographer

with work by 15 writers and 15 filmmakers

a Special Event of the 2017 Cincinnati Fringe Festival, a Know Theatre production

Show Dates:

Thursday, June 1st - 7:45 PM Saturday,

June 3rd - 7:45 PM Sunday,

June 4th - 4:45 PM Wednesday,

June 7th - 7:45 PM Saturday,

June 10th - 7:45 PM

 

All performances at The Mini Microcinema

This is a ticketed event.

Ticket Information: cincyfringe.com 513-300-5669

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097_Up This Hill (2015)
May
25
7:00 PM19:00

097_Up This Hill (2015)

Thursday, May 25th, 2017
Doors at 7:00... Screening at 7:30
@ The Mini - 1329 Main St.

Up This Hill (2015)
Directed By: Paul Sobota

Based in Cleveland, Ohio; Paul Sobota has worked with regional non-profits and commercial clients to tell their stories through still photography and filmmaking.  Over the past five years, Paul’s focus has shifted strongly to cultivating his own voice in documentary filmmaking, leading up to creating his first feature length documentary, Up This Hill (2015).

Synopsis:

(documentary)

Cleveland area teens take a week long service-learning trip to Harlan, Kentucky to build homes for low-income families. They give their all, laboring under an unforgiving sun, and lifting each other up along the way.  They end up getting much more in return.

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096_SWEET SWEETBACK'S BAADASSSSS SONG (1971)
May
21
2:00 PM14:00

096_SWEET SWEETBACK'S BAADASSSSS SONG (1971)

Sunday, May 21st, 2017
Doors at 2:00... Screening at 2:30
@ The Mini - 1329 Main St.

SWEET SWEETBACK'S BADASS SONG (1971)
Directed By: Melvyn Van Peebles
Hosted by Black Folks Make Movie

"Sweet Sweetback's Baadasssss Song has a lot of historical significance. It is an early independent film in what's considered the current "modern" style,... it was controversial (it initially earned an X rating (later changed to an R) and touted that fact proudly as a tagline), it was made for $150 thousand but grossed $15 million, and most importantly ... it is credited with starting the Blaxploitation craze in the 1970s." (Brandt Sponseller, IMDb)

Released in 1971, Sweet Sweetback reignited the truly Black independent filmmaking movement begun by Oscar Micheaux & others in 1910. This film definitely takes it further...

FREE!!! 

Doors open at 2, Screening 2:30.

Discussion follows led by BFMM Executive Director & Curator, Pamela Thomas.
 

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095_In the Kitchen of Jan Svankmajer: Svankmajer on Food
May
18
7:00 PM19:00

095_In the Kitchen of Jan Svankmajer: Svankmajer on Food

Thursday, May 18th, 2017
Doors at 7:00... Screening at 7:30
@ The Mini - 1329 Main St.

In the Kitchen of Jan Svankmajer: Svankmajer on Food
Presented By: Rom Wells

Rom Wells presents the work of Czech surrealist filmmaker/puppeteer/artist Jan Svankmajer! The program looks at the use of food in Svankmajer's work, presenting two shorts (Food and Meat Love) and the feature film Alice

Above Image by Chris Reeves!

Above Image by Chris Reeves!

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094_Borbetomagus: A Pollock of Sound
May
16
7:00 PM19:00

094_Borbetomagus: A Pollock of Sound

Tuesday, May 16th, 2017
Doors at 7:00... Screening at 7:30
@ The Mini - 1329 Main St.

Borbetomagus: A Pollock of Sound

Directed By: Jef Mertens

Co-Presented with the No Response Festival

A Pollock of Sound is the first-ever feature length documentary film on the legendary improv/noise group Borbetomagus.

From 1979 on, Borbetomagus have persevered a no holds barred musical style, described and boxed by the media so many times that they remain uncategorized. Coming together in upstate NY, far away from the burgeoning NYC scene, they began having a cult status reaching as far as Northeast Asia.  With both saxophone players extending techniques beyond recognition and a guitar player utilizing metal shards besides a plectrum, the band have showcased a whole new vocabulary staying true to the word free.

Guerilla filmmaker Jef Mertens brings a raw, urgent, and unpolished vision focusing on a band that has spent almost four decades defining and redefining not just their music, but the boundaries of music itself. Band members Don Dietrich, Donald Miller, and Jim Sauter tell their story with the help of artists, writers, photographers, and filmmakers that include noted critic Byron Coley, drummer Chris Corsano, guitarist Thurston Moore, groundbreaking Japanese noise unit Hijokaidan, and Switzerland's masters of "cracked electronics," Voice Crack.

With never before seen archival footage, amazing photographic finds and never before released recordings, the film is a must see, or must listen if you will, for every Borbetomagus fan or lover of music that has labored its own definition of what sound should be like.

Borbetomagus devastating attitude gained recognition without compromise and its without those compromises that "A Pollock of Sound" hopes to be striding along.

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093_The Cinema of Things: Following Objects
May
11
7:00 PM19:00

093_The Cinema of Things: Following Objects

Thursday, May 11th, 2017
Doors at 7:00... Screening at 7:30
@ The Mini - 1329 Main St.

The Cinema of Things: Following Objects
Curated by Annie Dell’Aria,
PhD, Assistant Professor of Art History,
Miami University

Despite film’s traditional reliance on human performance and dialogue, close-ups of objects have driven narratives and informed cinematic texts since the early days of film. In this selection of recent avant-garde moving image works, artists imagine a cinema that exclusively follows things, shifting focus away from the human experience and towards objects and their networks. Fischli and Weiss turn their studio into a violent and destructive Rube Goldberg machine. Warren Cockerham employs a first-object point of view by covertly placing a camera inside a box of sheets as it makes its way through a Walmart Distribution Center. Allison Cekala’s “biography of a material,” documents the processing and transportation of Boston’s road salt. Lastly, Turner Prize-winning artist Helen Marten’s high-definition digital images mimic the glossy surfaces and textures of real objects, but she juxtaposes them in strange and surprising ways, making poetic and surreal connections not possible in the physical world. Together these cinematic texts explore the causal, economic, and poetic lives of things.

Works in series:

Peter Fischli and David Weiss, The Way Things Go, 1987, 30 mins.

Warren Cockerham, Between the Sheets, 2009, 6 mins.

Allison Cekala, Fundir, 2015, 22 mins.

Helen Marten, Orchids…Or, a Hemispherical Bottom, 2013, 19 mins.

Program will include an introduction by Annie Dell’Aria and post-screening discussion.

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091_Sixty Six (2002-2017) Lewis Klahr
May
4
7:00 PM19:00

091_Sixty Six (2002-2017) Lewis Klahr

Thursday, May 4th, 2017
Doors at 7:00... Screening at 7:30
@ The Mini - 1329 Main St.

Twelve Chapters Through Pop Landscapes of 1966 Los Angeles

"An anthology film in 12 chapters, Lewis Klahr’s animated mosaic Sixty Six is both greater than the sum of its parts and grander than the scope of its one-dimensional decoupage. Any attempt to describe the film leads to a maze of contradictions. Largely a work of stop-motion collage (a term the filmmaker favours to distinguish his practice from traditional animation), it is at once Klahr’s latest feature and a compendium compiled from years of short-form experimentation. Beginning in 2013 as the attempted reimagining of an unreleased 16mm film, the project soon expanded to encompass a multitude of digital miniatures ranging from three to 20-plus minutes in length. Combining outré visual sources––comic books, newsprint ads, pulp literature, and all manner of Pop-Art ephemera––with classical music cues and allusions to Greek mythology, this composite feature is the strangest of hybrids: a personal work of universal provenance."

- CinemaScope

More info about the film:

http://cinema-scope.com/cinema-scope-magazine/era-extrana-lewis-klahr-sixty-six/

https://www.filmcomment.com/article/lewis-klahr-sixty-six/

FROM CalArts Website:"Called "the reigning proponent of cut and paste" by J. Hoberman of the Village Voice, master collagist Lewis Klahr has been making films since 1977. He is known for his uniquely idiosyncratic collage films which have screened e…

FROM CalArts Website:

"Called "the reigning proponent of cut and paste" by J. Hoberman of the Village Voice, master collagist Lewis Klahr has been making films since 1977. He is known for his uniquely idiosyncratic collage films which have screened extensively in the United States, Europe and Asia—in venues such as New York's Museum of Modern Art, the Whitney Biennial, the New York Film Festival, the Toronto International Film Festival, the Hong Kong International Film Festival, the London Film Festival, the LA County Museum of Art, the Tate Modern and REDCAT. In May of 2010, The Wexner Center for the Arts presented a five program retrospective of Klahr's films. In March of 2013 the Museum of the Moving Image presented a retrospective weekend of Klahr's digital work since 2008. His film Wednesday Morning Two A.M. was awarded a Tiger Award for Best Short Film at the 2010 International Film Festival at Rotterdam. In Film Comment magazine’s poll of the top 50 experimental filmmakers from 2000 to 2010, Klahr was ranked fourth. His epic cutout animation The Pharaoh’s Belt received a special citation for experimental work from the National Society of Film Critics in 1994. Klahr's feature length film The Pettifogger was selected as one of the best films of 2012 by Artforum Magazine. He has also received commissions from European arts organizations such as the Gronnegard Theater in Copenhagen, Denmark (Lulu) and the Rotterdam International Film Festival (Two Minutes to Zero). His work is in the permanent collection of the Museum of Modern Art in New York and is a recent addition to the Coleccion Inelcom.

Klahr was The Wexner Center for the Arts 2010 Media Arts Residency Award Winner,the 2013 Brakhage Vision Award winner, a 1992 Guggenheim Fellow and has also received funding from the National Endowment for the Arts, the NY State Council of the Arts, the City of Los Angeles, The Jerome Foundation and Creative Capital."

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